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In Las Vegas, he waited until near the end of his set for “Amarillo by Morning.” His crowds are generationally diverse, and some of the older fans had begun to sink into their seats by then.But just about everyone stood up at the sound of the fiddle overture that introduces the opening stanza, one of the most memorable in country music: The song—the stoic lament of a travelling rodeo pro—was originally recorded, in 1973, by Terry Stafford, a former rock-and-roll singer.“If you leave me, I won’t miss you,” he declares, at the start of “Ocean Front Property,” followed by a chorus made up of declarations that are, likewise, lies.“I’ve got some oceanfront property in Arizona / From my front porch, you can see the sea,” he sings.
“We have a lot of songs to play for you tonight, a whole lot,” he said, and then he didn’t say much more.By comparison, Strait’s version, the only one that most people will ever hear, is masterfully plain.He occasionally approaches a syllable from above, using a mournful grace note, but he has an easy, conversational way of putting a melody across, as if he were singing to keep from talking.Strait doesn’t believe in disappointing paying customers, so he endeavors to play every song that anyone wants to hear.Casual listeners may know him best for “All My Ex’s Live in Texas,” a slightly drunken-sounding novelty song that long ago transcended its novelty status, elevated by countless bleary-eyed sing-alongs: “Texas is the place I’d dearly love to be / But all my ex’s live in Texas / And that’s why I hang my hat in Tennessee.” In this arena, though, people were just as excited for “Check Yes or No,” a good-natured radio perennial about a love affair that begins in the third grade and lasts well past the third chorus.
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One time, in Key West, where he records, he was sitting outside the studio, naked from the neck up, when a woman accosted him.